Showing posts with label Lamy 2000. Show all posts
Showing posts with label Lamy 2000. Show all posts
Monday, June 27, 2011
Mini-Typecast, Lame Photo Update Just to Update
I'm getting a bunch o' ink samples, mostly Diamine. It's my first time trying this service of theirs, and I'm pretty excited.
Speaking of inky things, this stuff is pretty awesome for a number of cleaning duties, one of which is getting ink out of the bathroom sink...
However, the lack of the apostrophe in the official name was driving me crazy...so I added one.
Lousy photo of today's fountain pen rotation: Bling (Pelikan M200, Noodler's Air Corp Blue-Black ink), Stealth (Lamy 2000, Noodler's Black), Click (Pilot Vanishing Point, Private Reserve Midnight Blues) and What The...??? (Rotring Core, Noodler's Black Swan in Australian Roses)
Sunday, September 26, 2010
Wholesale Pen Slaughter, or Pen-conomics
In spite of my love for fountain pens, I have a habit of picking up many of the more standard pens that catch my fancy. Add to this the seductive charms of Jetpens.com, and I have a ridiculous number of gel / ballpoint / roller ball pens in cups and drawers around the house.

Some of my recently used composition books
Lately I've been using composition books for my journals (despite their dubious archival qualities). When I'm writing consistently (which doesn't happen consistently), I go through about one a month as a general rule. Most are either Staples bagasse paper (bagasse=sugar cane waste) or "Made in Brazil" Norcom comp books from Wal-mart, which have the additional charm of costing just a quarter apiece at some points in the year. These two types both have very fountain pen friendly paper; i.e. ink doesn't feather like crazy or soak into the paper and through the other side as a general rule. However, I have a few composition books of poorer quality paper, at least where fountain pens are concerned: a few of the last "Made in the USA" Meads, and some Staples brand comp books with nice sturdy covers but rather porous paper. I've been shuffling these aside for a few years now, but this month, I set myself a sort of experiment. I've been using one of the Staples comp books, and restricting myself to the myriad of non-fountain pen writing instruments I have around.
The damage so far: in my current not-quite-full notebook (and a small amount of writing at work) I have used up
1 Zebra Sarasa gel pen
2 Pilot G2 gel pens
Approximately 5 Pentel Wow! Gel pens and counting (they're cheap, but they literally only last me about a day and a half)
1 Uniball Jetstream and a portion of another
1 Zebra Surari "emulsion ink" pen

Just *some* of the carnage!
For standard ballpoints (the Jetstream and Surari are not really typical ballpoints), I've briefly used a Zebra F-701, a Bic Cristal, and a Fisher bullet pen; but I didn't stick with them for long. Ballpoints make my hand ache too much, and the the not-really-blackness of the black ink bugs me. The black Jetstreams and Surari are better in this regard: more vivid. For other ballpoints, I'd be better off with blue--any shade of blue is still blue.
I've also used a certain amount of pencil. In the grand scheme of things, pencil is probably the most cost-efficient writing instrument out there, and in many ways, I prefer it to ballpoint. It feels better. My only real quibble with it is that I can't seem to avoid a certain amount of transfer from one page to another, so everything ends up a little messy looking.
You know what else fascinates me? If I take the whole notebook and flip through the pages like a flip book, the ballpoint-written pages with their rather embossed text make a loud crackling sound, the gel and pencil pages a softer, whispery crackling sound, and a few experimental fountain pen pages make no sound at all.
I am easily entertained.
It's freeing to use these things up. I think I've also proven, however, that fountain pens, while perhaps not as cost efficient as pencil, are far more cost efficient than most of the other alternatives. Even the very cheapest gel pens are typically at least seventy-five cents or a dollar apiece, and obviously, the very cheapest gel pens don't last very long--only ten or eleven comp book pages in the case of those Pentels. On the other hand, a tiny sip of bottled ink in my Lamy 2000 will write for thirty to forty pages, and a ten dollar bottle will last...at least a year or two? Suddenly the bargain gel pens don't seem like such a bargain, do they?
I don't know exactly how long an ink bottle will last since I have yet to really use one start to finish. I've had a bad habit of buying more colors. I'm working on simplifying and using up rather than making any more purchases of any kind, and I probably have enough ink to last me a decade or two. (And enough notebooks to last me at least two or three years...truth be told). But based on how very little the level of ink in the bottle of Aircorp Blue-Black has dropped in the year I've been using it fairly steadily (though by no means exclusively), it's obvious ink lasts a good while. For the frugal, a basic fountain pen (especially one with a fine nib) and a single bottle of something like Noodler's Black would break down to a much, much cheaper overall cost than buying the equivalent gel pens or rollers or likely even most ballpoints.
Ah, the lengths we go to to justify our addictions!

Trying to show how little ink is gone by holding the bottle of AC BB to the light. And yes, that is a freaky label, isn't it?
The current experiment will continue for a few more months until I use up the bad comp books (and most of the excess "cheap" pens), and then I'll go back to fountain pens. Hm...the next experiment could be to see how long a bottle of ink lasts.... Of course, this is all terribly unscientific. There are so many unquantified variables: the size of my handwriting, the number of pages I write a day, the width of the pen, whether or not a particular ink is absorbed by a particular paper.... It still fascinates me, though.
Some of my recently used composition books
Lately I've been using composition books for my journals (despite their dubious archival qualities). When I'm writing consistently (which doesn't happen consistently), I go through about one a month as a general rule. Most are either Staples bagasse paper (bagasse=sugar cane waste) or "Made in Brazil" Norcom comp books from Wal-mart, which have the additional charm of costing just a quarter apiece at some points in the year. These two types both have very fountain pen friendly paper; i.e. ink doesn't feather like crazy or soak into the paper and through the other side as a general rule. However, I have a few composition books of poorer quality paper, at least where fountain pens are concerned: a few of the last "Made in the USA" Meads, and some Staples brand comp books with nice sturdy covers but rather porous paper. I've been shuffling these aside for a few years now, but this month, I set myself a sort of experiment. I've been using one of the Staples comp books, and restricting myself to the myriad of non-fountain pen writing instruments I have around.
The damage so far: in my current not-quite-full notebook (and a small amount of writing at work) I have used up
1 Zebra Sarasa gel pen
2 Pilot G2 gel pens
Approximately 5 Pentel Wow! Gel pens and counting (they're cheap, but they literally only last me about a day and a half)
1 Uniball Jetstream and a portion of another
1 Zebra Surari "emulsion ink" pen
Just *some* of the carnage!
For standard ballpoints (the Jetstream and Surari are not really typical ballpoints), I've briefly used a Zebra F-701, a Bic Cristal, and a Fisher bullet pen; but I didn't stick with them for long. Ballpoints make my hand ache too much, and the the not-really-blackness of the black ink bugs me. The black Jetstreams and Surari are better in this regard: more vivid. For other ballpoints, I'd be better off with blue--any shade of blue is still blue.
I've also used a certain amount of pencil. In the grand scheme of things, pencil is probably the most cost-efficient writing instrument out there, and in many ways, I prefer it to ballpoint. It feels better. My only real quibble with it is that I can't seem to avoid a certain amount of transfer from one page to another, so everything ends up a little messy looking.
You know what else fascinates me? If I take the whole notebook and flip through the pages like a flip book, the ballpoint-written pages with their rather embossed text make a loud crackling sound, the gel and pencil pages a softer, whispery crackling sound, and a few experimental fountain pen pages make no sound at all.
I am easily entertained.
It's freeing to use these things up. I think I've also proven, however, that fountain pens, while perhaps not as cost efficient as pencil, are far more cost efficient than most of the other alternatives. Even the very cheapest gel pens are typically at least seventy-five cents or a dollar apiece, and obviously, the very cheapest gel pens don't last very long--only ten or eleven comp book pages in the case of those Pentels. On the other hand, a tiny sip of bottled ink in my Lamy 2000 will write for thirty to forty pages, and a ten dollar bottle will last...at least a year or two? Suddenly the bargain gel pens don't seem like such a bargain, do they?
I don't know exactly how long an ink bottle will last since I have yet to really use one start to finish. I've had a bad habit of buying more colors. I'm working on simplifying and using up rather than making any more purchases of any kind, and I probably have enough ink to last me a decade or two. (And enough notebooks to last me at least two or three years...truth be told). But based on how very little the level of ink in the bottle of Aircorp Blue-Black has dropped in the year I've been using it fairly steadily (though by no means exclusively), it's obvious ink lasts a good while. For the frugal, a basic fountain pen (especially one with a fine nib) and a single bottle of something like Noodler's Black would break down to a much, much cheaper overall cost than buying the equivalent gel pens or rollers or likely even most ballpoints.
Ah, the lengths we go to to justify our addictions!
Trying to show how little ink is gone by holding the bottle of AC BB to the light. And yes, that is a freaky label, isn't it?
The current experiment will continue for a few more months until I use up the bad comp books (and most of the excess "cheap" pens), and then I'll go back to fountain pens. Hm...the next experiment could be to see how long a bottle of ink lasts.... Of course, this is all terribly unscientific. There are so many unquantified variables: the size of my handwriting, the number of pages I write a day, the width of the pen, whether or not a particular ink is absorbed by a particular paper.... It still fascinates me, though.
Wednesday, January 27, 2010
Saturday, August 08, 2009
More fear and loathing. Everybody's doin' it! Also, pen geekery writ large.
Ironically, these tend to be the times when I obsess the most over the tools of the trade, as if I could make everything turn around if I could just find the right pen or ink or paper or typewriter or what-have-you. And I don't give up writing when I feel like this. I'm just disgusted by every word is all. I write, but feel guilty and miserable for trying, sick that I had the hubris to try and run with the big dogs at times, when in reality, my stories are pale pablum not fit for human consumption.
There, you see what I did just then? Mixed metaphors all dumped together in a navel gazing whole that needs to go on that burn pile. ASAP.
But back to the obsession thing. Pens. I recently spent a bunch of time slummin' it with "inexpensive" pens--it's all relative, of course. Most of these were pens I've picked up over the years--I have a cup o' pens in almost every room of the house. Some rooms have two. It's a sickness. They pretty much all have good and bad points. Ballpoints, for instance, are available everywhere (often for free) write practically forever (some of the super smooth pens like the Pilot Dr. Grip Center of Gravity being the exception--they don't last much longer than gel pens), dry instantly and will write on even the roughest, spongiest paper. They're a carefree lot, ballpoints are, and there's a certain freedom to using them: no worries about paper quality or stray moisture, and they smell mahvelous.
Downsides? Yes, many. First and most obvious, they put down a rather anemic line. "Black" ballpoint ink is typically more of a streaky purplish-grey. It can be hard to read.
Their biggest downside for me, though, is that because of their thick, pasty ink, they require a certain amount of pressure to write with, which in turn also makes you grip them more tightly, all of which leads to hand and wrist cramping. When I hear people say, "Oh, I could never write more than a few words by hand," I pretty much assume they've never used anything but ballpoints. Don't get me wrong, ballpoints are great in their place, but I don't like 'em for intense writing.
I also have a number of gel pens around the house, mainly a handful of the ubiquitous Pilot G-2. I like these a lot. They put down a nice dark line, almost always write immediately even when they've been sitting, the ink is (mostly) waterproof and archival. They do require a little bit of hand pressure, but are much more comfortable than ballpoint. As you write, they have a slightly sticky feel to them, which grows on me, actually. It's like...I dunno...writing through honey. Gives you a feeling of control on the paper, but i do find it hard to really zip along with them. Also, they smear. Sometimes a lot. And they're pickier about paper than ballpoints are.
The biggest downside to them for me is that I could go through 'em like water. For me, they typically last somewhere around 40 comp book pages. That may sound like a lot, but it really isn't. On a typical day outside of NaNoWriMo season, I may write four pages in my journal and another four in my story notebook--I get 150-200 words a page, at a guess, so we're not talking a ton of words, honestly. At that rate, I go through a gel pen in five days, provided I don't also use it at work. Seems wasteful to me, especially since most of the time the refills cost as much as the pen, so you're throwing away a pen a week.
Next up would be rollerballs, I guess: liquid ink rolling ball pens. I've used Uniball rollers now and again for years. I'm also a fan of the Pilot v5. Roller balls can be rather like a compromise between gel/ballpoint pens and true fountain pens--with their water-based inks, they only need to touch the page to put down a line. But if the ball doesn't roll freely, they skip, and many styles don't have water-resistant ink.
And now I come back, as I always do, to fountain pens. Do they have downsides? You betcha. They can leak, many of the inks can fade or wash away easily (I'm looking at you, Waterman Florida Blue, or would be if you hadn't vamoosed), they aren't readily available, they can be expensive, their watery ink and pointy nibs are incredibly finicky about paper, and you have to hold them at the right angle or they won't write at all. You have to guard against dropping them or co-workers mangling them, because if a fountain pen nib gets damaged, it isn't as though you can just swap in a refill to replace it--the nib is an integral part of the pen, and it's relatively fragile, especially if it's a gold nib on a nicer pen.
Also they (and the ink and paper that go with 'em) are addictive. If you have the slightest tendencies toward office supplies geekery, for the love of Pete stay away from the things, or next thing you know you'll be cruising Fountain Pen Network at all hours of the day and night, hiding pen and ink acquisitions in the backs of drawers, endlessly scribbling about scribbling, and planning how to obtain your next hit.
I'm primarily an ink addict, though at this point I tend to stick to Noodler's Black and Noodler's "near bulletproof" colors, mostly thanks to the bad taste Waterman Florida Blue left in my mouth (not literally...I'm not *that* much of a junkie...): some of my old journal pages are approaching unreadable, and we're not even talking about much time here. I'm not sure I *want* anyone to read my notebooks in a hundred years, but I'd like to be able to read my own notes for at least five or ten or twenty years.
As for pens, in the last ten years or so I've been fortunate enough to own or try many of the flagship standards out there. My favorite pen is the Parker 51 I picked up for $30 about three years back. It's very, very user-grade: the cap is dinged and worn, the pen has lots of scratches and such, and the ink sac is stained. But writing with that pen is a transcendent experience--no pressure required at all, the words almost float onto the page as I think them. Everyone should have the experience of writing with a pen like that at least once.
I also have quite a few knock-around Chinese Hero 329s and 616s (they come up in packages of 10 for next to nothing on eBay now and again). I give these away to anyone wanting to try a fountain pen, though they do require bottled ink (rather than cartridges). They're also fun to fill with colors I don't use a ton of.
My most recent expensive pen acquisition was a total impulse buy, which I lay squarely in the court of one Marko Kloos, AKA The Munchkin Wrangler: it's a Lamy 2000 like the one at the top of his blog page, with Lamy's XF nib (making it more of a fine in most other worlds). I am very, very impressed with it so far. It's beautifully understated, extremely comfortable in the hand, and very smooth on the page. It holds a ton of ink, too. It may give the 51 a run for its money, especially once we get used to one another. There's also something to be said for a pen that is still being made. Nice to know I *could* replace it if I had to.
Um...I think I had a point, but I lost it somewhere along the way. Babbling as security blanket, I guess. I'll go back to writing bad prose now. ;-)
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